The Evolution of Moscow Conceptualism: From Early Kabakov to Later Pepperstein

Authors

DOI:

https://doi.org/10.15826/qr.2021.2.588

Keywords:

artistic trends in modern art, Moscow conceptualism, Pavel Pepperstein, Medical Hermeneutics Inspection, concept, interpretation

Abstract

This article considers the most important strategies, techniques, and concepts that formed in the Moscow artistic environment from the late 1970s until the present day. The author of the article focuses on the creative work of Pavel Pepperstein, an artist and writer who belonged to the group of young conceptualists. The artist adopts some of the conceptual strategies he inherited from his father V. Pivovarov, I. Kabakov, and A. Monastyrsky and develops them in his own manner, thus giving them special characteristics and his own features. The aim of the article is to show and enlarge the context of the artist’s oeuvre by analysing his collaborations with other Moscow conceptualists and social artists, paying special attention to the Medical Hermeneutics Inspection group founded by Pepperstein in 1987 with S. Anufriev and Yu. Leiderman. Apart from visual artistic forms, mainly graphics, installations, and performances, one of the main activities of the group were numerous theoretical treatises that addressed issues of aesthetical, philosophical, and linguistic discourse in conceptual and contemporary art, as well as the relationship between art and its interpretation.

Author Biography

Jelena Kusovac

Dr. Hab. (Philology), Associate Professor, University of Belgrade.

1, Student Sq., 11000, Belgrade, Serbia.

ORCID 0000-0003-3865-3165

jelena.kusovac@gmail.com

References

Al’bert, Yu. (Ed.). (2014). Moskovskii kontseptualizm. Nachalo. Katalog vystavki [Moscow Conceptualism. The Beginning. Exhibition Catalogue]. Moscow, Privolzhskii filial Gosudarstvennogo tsentra sovremennogo iskusstva. 271 p.

Bachstein, I. Kabakov, I. Monastyrskii, A. (2010). Trialog o komnatakh [Trialogue about Rooms]. In Sborniki MANI. Vologda, Biblioteka Moskovskogo kontseptualizma. 248 p.

Bobrinskaya, E. (1994). Kontseptualizm [Conceptualism]. Moscow, Galart. 216 p.

Bobrinskaya, E. (2013). Chuzhie? Neofitsial’noe iskusstvo: mify, strategii, kontseptsii [Strangers? Unofficial Art: Myths, Strategies, Concepts]. Moscow, Breus. 496 p.

Druskin, Ya. (2000). Zvezda bessmyslitsy [Тhe Nonsense Star]. In “Sborishche druzei, ostavlennykh sud’boyu”. L. Lipavskii, A. Vvedenskii, Ya. Druskin, D. Kharms, N. Oleinikov: “chinari” v tekstakh, dokumentakh i issledovaniyakh v 2 t. Moscow, Ladomir. Vol. 1, pp. 323–416.

Gandlevskii, S. (1993). Dmitrii Aleksandrovich Prigov. Mezhdu imenem i imidzhem [Dmitry Aleksandrovich Prigov. Between Name and Image]. In Literaturnaya gazeta. No. 19. May 12, pp. 3–7.

Grois, B. (1979). Moskovskii romanticheskii kontseptualizm [Moscow Romantic Conceptualism]. In A–Ya. Zhurnal neofitsial’nogo iskusstva. Paris, N. Y., Moscow, A–Ya. No. 1, pp. 3–11.

Huizinga, J. (2011). Chelovek igrayushchii. Opyt opredeleniya igrovogo elementa kul’tury [Homo ludens. Experience in Determining the Playful Element of Culture]. St Petersburg, Izdatel’stvo Ivana Limbakha. 416 p.

Kabakov, I. (2003). O khudozhnike-personazhe [About the Character-Artist]. In Zerkalo. Tel-Aviv, S. n. No. 21–22.

Kabakov, I. (2008). 60–70e… Zapiski o neofitsial’noi zhizni v Moskve [60s–70s... Notes on Unofficial Life in Moscow]. Moscow, Novoe literaturnoe obozrenie. 365 p.

Leiderman, Yu. (2015). Pesnya “Tovarishch” [The Tovarishch Song]. In Nigilist. Produktivna Ruinatsiya [website]. November 22. URL.: http://www.nihilist.li/2015/11/22/pesnya-tovarishh/ (accessed: 20.12.2020).

Monastyrskii, A. (2008). V dialoge s V. Zakharovym i Yu. Leidermanom. O terminologii moskovskogo kontseptualizma [In Dialogue with V. Zakharov and Yu. Leiderman: On the Terminology of Moscow Conceptualism]. In Khudozhestvennyi zhurnal [website]. No. 70. December. URL: http://xz.gif.ru/numbers/70/on-terms/ (accessed: 20.12.2020).

Monastyrskii, A. (Ed.). (1999). Slovar’ terminov moskovskoi kontseptual’noi shkoly [Glossary of Terms of the Moscow Conceptual School]. Moscow, Ad Marginem, 221 p.

Pepperstein, P. (2001). Glyadya na vodopad. Bivis i Bat-Khed na MTV [Looking at the Waterfall. Beavis and Butt-Head on MTV]. In Neprikosnovennyi zapas [website]. No. 4. URL: http://magazines.russ.ru/nz/2001/4/pepper.html (accessed: 20.12.2020).

Pepperstein, P. (2014). Vstupitel’naya stat’ya [Preface]. In Viktor Pivovarov. Katalog v 2 kn. Moscow, Artguide Ed., Muzei MAGMA. Book 1, pp. 7–14.

Ryklin, M. (1992). Terrorologiki [Terrorologicians]. Tartu, Moscow, Eidos. 114 p.

Shestakov, V. P. (2002). Filosofiya i tennis [Philosophy and Tennis]. In Voprosy filosofii. No. 8, pp. 42–51.

Tupitsyn, V. (1997). “Drugoe” iskusstva [The “Other” of Art]. Moscow, Ad Marginem. 352 p.

Viktor Pivovarov. Katalog v 2 kn. [Victor Pivovarov. Catalogue. 2 Books]. (2014). Moscow, Artguide Editions, Muzei MAGMA. Book 1. 197 p.

Wittgenstein, L. (1994). Filosofskie raboty [Philosophical Investigations]. Moscow, Gnozis. 612 p.

Zlydneva, N. (2008). Izobrazhenie i slovo v ritorike russkoi kul’tury XX veka [Image and Word in the Rhetoric of Russian Culture of the 20th Century]. Moscow, Indrik. 304 p.

Published

2021-06-21

How to Cite

Kusovac, J. (2021). The Evolution of Moscow Conceptualism: From Early Kabakov to Later Pepperstein. Quaestio Rossica, 9(2), 435–450. https://doi.org/10.15826/qr.2021.2.588

Issue

Section

Problema voluminis